New York, London, Milan, Paris, and Tokyo.
Thumbing through a fashion magazine around most of the world, you’d be forgiven for thinking all sartorial styles were created in these fashion capitals. Nevertheless, look closer and you’ll shortly discover that, whilst fads are set on the runways that are at large, they frequently emerge elsewhere. Long before a brand name, shapes, patterns or vivid color hits a major catwalk shows, you can often spot the changes at fashion events that are less mainstream on the circuit.
When talking about Denver Fashion Week (DFW), a variety of words characterize the occasion: unique, distinct, wild, chaotic, a community, beauty and art. For individuals who are still hesitant to go or may be new to the experience – this isn’t a fashion show that's typical lineup of showcasing clothing. This is some thing entirely different. It's an expressive art performance that truly shows Denver's spirit.
In most nations I've visited, the fashion scene is focused on one major city, but it doesn’t mean other style-hearts don't have anything to offer. Not only is it generally less difficult to snag a tickets or press pass for these occasions, small fashion weeks often gear more retail-oriented setups, which means that you can buy direct from the runway. Some of Denver's own are:
Femme Fatale Intimates by Angel - ffintimates.com
Gabriela Martinez - gabrielacouture.com
Rooted - rootedboutique.com
Ashley Smith Beauty - ashleysmithbeauty.com
The United States is so different and massive, it would be absurd to assume New York could showcase everything the entire nation offers. San Francisco, Miami, Los Angeles, Denver and Austin host their own Fashion Week, each displaying their unique take on American fashion. And Denver does not disappoint in this arena.
Each designer has a unique vision for their portion of the show and they work to make sure that their vision transforms into entertainment for Denver's diverse crowd. They want their fashion to be consistent where folks think as individuals and take a look at the clothing as connecting personalities to an emotional fabric within.
I get asked about my own style and reasons I have worked many of the larger fashion weeks around the world, but skipped the local DFW often until now. It has little to do DFW and more about my take on the serious business of clothing. My style. Well, I'm a pirate.
We were dressed by someone else for quite some time in our lives. Parents picked out a T-shirt; the school ordered what color our neckties for our weekday torture. But at some point, we were given the opportunity to find who we might be in the world of clothing. We had to determine for ourselves about collars and ties, suit fit, colors, shapes, textiles and what matches, what doesn't. We learnt to speak about our personality through the language of garments. Despite the possible silliness and exaggeration of sections of the fashion industry and ourselves, assembling a wardrobe is a serious and meaningful exercise. These events can truly inspire us.
When predicated on our looks, background, job or particular tendencies in our behavior, people are constantly liable to come to fast and not so correct decisions about who we are. Only too frequently, their ruling doesn’t quite get us right.
They may suppose this because where we come from; we must be somewhat arrogant or rather disapproving. It may be based on our work, and in fact, get typecast as snobbish or superficial. In some cases, the physically proven fact that we’re sporty might lead some to see us as not terribly analytical; or an attachment to a particular political outlook may be associated with being unnervingly earnest.
Clothing supplies an important chance for us to correct some of these narratives. We're, in effect, working as a tour guide, offering to show folks around ourselves when we get dressed. We’re emphasizing appealing or interesting things about who we're – and in the process, we’re clearing up misconceptions.
We’re behaving like artists painting a self-portrait and by choice, directing the audience’s understanding of who they might even be themselves.
In the 60s, the Birtish painter Peter Blake painted a self-portrait of himself wearing jeans, a denim jacket, and running shoes. He was purposefully menacing the perspective the majority of his contemporaries had a handle on him; based on knowing that he was a painter that was quite successful and somewhat intellectual. He might have been thought of as slightly aloof and exceptionally refined; detached from, and cavillous of average life. But his clothes speak about different facets of his character: they go out of their way to tell us that he’s rather a modest man; he’s interested in talking about pop music some evenings over a pint; he sees his art mostly as a kind of manual labor. Like ours – his give us a vital introduction to the self through his garments
His garments – like ours – provide us with a crucial introduction to our self-identity.
This explains the interesting phenomenon when we’re with good friends. We usually can spend a lot less time contemplating our clothing compared with the stress on what to wear than gripped with strangers. They know who we are and they’re not relying on our clothing for hints.
It’s strange – but a profound fact that certain items of clothes can excite us. When we put on them or see others wearing them, we’re turned on: a special style of coat, the right kind of the perfect shirt or dress might prove to be so erotic that we could almost do without the person wearing it.
It’s tempting to see this sort of fetishism as merely deluded but we are being alerted by it to an extremely common and far more general thought in a very exaggerated way: that special clothing and styles make us happy, and being happy is not a bad thing at all.
They capture our attention to get closer and indulge the values that attract us. The sexual element is simply an expansion of a sympathy that is general and clear that beauty is every item of clothes we’re drawn to featuring an allusion to another kind of well-being. A guarantee of internal prosperity for many.
Some might see an extremely desired form of competence and self-confidence in a particular pair of brown leather shoes we take walks in. Or meet new generosity in a wool jacket we wear volunteering or feel a poignant sort of innocence in a bow-tie to dinner. A sparkling brooch may sum up dignity as a particular collar can render the human neck commanding and important when looking into another's eyes.
The classic fashion fetishist might be motivated on their connections that specify a personal identity to the maximum and be instead limiting one to select items only they favor. They are latching onto a general theme: apparel can embody values that enchant and beguile us.
By picking unique types of garments, we are highlighting our characteristics that are tentative or more delicate. We’re both strategically reminding ourselves and conveying to others who we are.
Our personal wardrobes include some of our most carefully composed lines of autobiography most will ever read.
You don't always need a pen to tell a story.
Unlike fashion week shows across the world, Denver’s has always observed diversity on the runway. That’s so that as many people as possible can live out their vision to be a model and help us reveal that 'lovely' isn't only one idea why we host open model casting calls – with no height or weight requirement –. Whether a model is skinny, tall, curvy, short, old, young, gay, straight, transgender, covered and tattooed – Denver Fashion Week runway has seen it all and respects your self-discoveries and story.
This year the city is very proud to host the first professional model with Down Syndrome, Madeline Stuart, to not only walk our runway, but to present her fashion line at DFW. Stuart is a worldwide sensation, groundbreaking model and promoter for the Down Syndrome community. For more information about Madeline, please check out her website www.madelinestuartmodel.com
Please get your tickets here.